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India’s social system is built upon this conception; her philosophy formulates it; her religion is an aspiration to the spiritual consciousness and its fruits; her art and literature have the same upward look; her whole dharma or law of being is founded upon it. ” – 1 57 externally self-unfolding process of an always more and more prosperous and efficient material civilisation. It is her founding of life upon this exalted conception and her urge towards the spiritual and the eternal that constitute the distinct value of her civilisation.

R. Das. Indian Culture and External Influence 45 culture. An entire return upon ourselves is our only way of salvation. There is much to be said here, it seems to me, both in the way of confirmation and of modification. But let us be clear about the meaning of our terms. That the attempt in the last century which still in some directions continues, — to imitate European civilisation and to make ourselves a sort of brown Englishmen, to throw our ancient culture into the dust-bin and put on the livery or uniform of the West was a mistaken and illegitimate endeavour, I heartily agree.

That we may expect to see reflected in the resurgence of her artistic creativeness. Poetry and literature in Bengal have gone through two distinct stages and seem to be preparing for a third of which one The Renaissance in India – 3 29 cannot quite foresee the character. It began with a European and mostly an English influence, a taking in of fresh poetical and prose forms, literary ideas, artistic canons. It was a period of copious and buoyant creation which produced a number of poets and poetesses, one or two of great genius, others of a fine poetic capacity, much work of beauty and distinction, a real opening of the floodgates of Saraswati.

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The renaissance in India (The Complete Works of Sri Aurobindo 20) by Aurobindo Ghose


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