New PDF release: The Geese Theatre Handbook: Drama with Offenders and People

By Clark Baim

ISBN-10: 1872870678

ISBN-13: 9781872870670

ISBN-10: 1906534500

ISBN-13: 9781906534509

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Extra info for The Geese Theatre Handbook: Drama with Offenders and People at Risk

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Competition also provides much material for discussion and processing. For example, we can examine the competitive nature of an exercise and draw connections to the competitive nature of society and how people feel they need material goods, greater strength, more money or better clothes to compete with the next person. The great drawback in using any form of competitive activity-aside from health and safety concerns-is the potential danger that the session reinforces the social distancing which often comes from negative competition.

Assuming all of the readiness levels are taken into account, you might then proceed with more personally focused work. The readiness of the agency Whatever form of contract we work to must correspond with the general expectations of the agency we are working within. For example, if the agency is offering an informational programme for those convicted of driving while intoxicated, and we turn the programme into a therapy session addressing deeply personal issues, the likelihood is that the group participants will not be supported after the session and neither will the group workers.

Inner Voice from the Characters can be usefully combined with the following technique: Lifting the Mask. Processing Techniques 43 4. 'Lifting the Mask' 'Lifting the Mask' is an over-arching concept that applies across all of the processing techniques. We may 'lift the mask' at any point in order to deepen the impact of a scene or explore the motivations of characters. In general, however, we would wait until we hear some Inner Voice from the Characters before asking them to lift their mask. The 'mask' is a metaphor for the way we present ourselves to others.

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The Geese Theatre Handbook: Drama with Offenders and People at Risk by Clark Baim

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