Stephen Blackwood's The Consolation of Boethius as Poetic Liturgy (Oxford Early PDF

By Stephen Blackwood

ISBN-10: 0198718314

ISBN-13: 9780198718314

All through Antiquity and the center a while, literature used to be learn with the ear up to with the attention: silent analyzing was once the exception; audible examining, the norm. This hugely unique publication exhibits that Boethius's comfort of Philosophy - probably the most widely-read texts in Western historical past - goals to impact the listener during the designs of its rhythmic sound. Stephen Blackwood argues that the Consolation's metres are prepared in styles that experience a healing and liturgical goal: as a physically mediation of the text's comfort, those rhythmic styles permit the listener to determine the everlasting within the movement of time. The comfort of Boethius as Poetic Liturgy vividly explores how during this acoustic stumble upon with the textual content philosophy turns into a lived fact, and studying one of those prayer.

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Teubner, 1983). ’ Elaine Fantham, Roman Literary Culture: From Cicero to Apuleius (Baltimore and London: Johns Hopkins University Press, 1996), 42. See also Harrison, The Art of Listening in the Early Church. 28 The quad­rivium was meant to rest upon the intro­duct­ory arts of the trivium, which consisted of gram­mar, rhet­oric, and dia­lectic. 30 The De insti­tu­tione musica is there­fore one step, or moment, in a Neoplatonic intel­lec­tual ascent. Paradoxically, how­ever, this abstract, con­tem­plat­ive text of musical the­ory begins with a dis­cus­sion not of the abstrac­ted the­ory but rather the embod­ied prac­tice of the musical art.

It is, there­fore, import­ant not to con­flate a hier­archy in which con­tem­ plat­ive unity is higher than embod­ied prac­tice with a whole­sale rejec­tion of bod­ily medi­ation of any kind. 65 How the Consolation speaks to these mat­ters is one of the motiv­at­ing quer­ies of this book. What we can say for cer­tain, based on Philosophia’s first words, is that the Consolation’s lit­er­ary form is essen­tial to the con­sol­a­tion it aims to achieve. 66 This is nowhere more prom­in­ent than in the altern­a­tion of poetry and prose.

To sum­mar­ize: the Consolation is a text that emerges from a pre­dom­in­antly aural lit­er­ary cul­ture, and it is nar­rated in an expli­citly aural form; it con­tains, moreover, an auri­cu­larly strik­ing, prodi­gious vari­ation of poetic rhythm; these poems, finally, are said to have thera­peutic power. By present­ing the Consolation’s poetry as thera­peutic medi­cine in a text of an expli­citly aural char­ac­ter, Boethius offers us a rare point of access into the vibrant aud­it­ory exist­ence of ancient and medi­eval texts.

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The Consolation of Boethius as Poetic Liturgy (Oxford Early Christian Studis) by Stephen Blackwood

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