New PDF release: The Colours of Things: Memory, Materiality and an

By Diane Jane Barbara Young

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There are three tjanki (donkey) piranpa and one tjanki maru. The donkey described as 'maru' might be light grey but is dark in comparison with the others. As I will show in the following chapters, Aangu are concerned with the difference between colours and most crucially with sets or series of colours where one colour becomes the next. Aangu are also concerned with certain individual hues - red and blue, for example, but the context of looking is always important to the efficacy ascribed to that colour.

Pearl shell is shiny like spring water and rain and flashes like lightening. g. '0' Hanlon 1989). I suggest that pearl shell is also like the fat of certain animals, notably the glistening white fat in a kangaroo's tail. This cluster of similitude connects to the sequences of transformation that rain brings about, one of which is that everything will get fat again after rain. The association of shine, brilliance and luminosity with Ancestral power (Morphy 1989, Thompson 1975) connects fat, as a tactile substance, with colour, and this I explore especially in Section Four of this thesis.

Thanks partly to my funding body, the ESRC, who advanced my next year's fieldwork expenses, we acquired an old Toyota Personnel carrier with a long wheel base. As it transpired I was mostly socialised through the possession of that car. We also acquired a camp puppy to 'grow-up'. In the preceding decade there had been little outside anthropological research on the AP Lands, but the AP anthropologist Dr Gertrude Stotz had recently helped to facilitate PhD research, and I followed Ute Eikelcamp, a German researcher, into Ernabella and whilst I was in the field there was another PhD researcher at Mimili.

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The Colours of Things: Memory, Materiality and an Anthropology of the Senses in North Western South Australia by Diane Jane Barbara Young

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