By Patricia Highsmith
Throughout the booklet, Highsmith illustrates her issues with considerable examples from her personal paintings, and through discussing her personal inspirations, fake begins, useless ends, successes, and screw ups, she offers a full of life and hugely readable photograph of the novelist at work.
Anyone who needs to jot down crime and suspense fiction, or who enjoys interpreting it, will locate this publication an insightful advisor to the craft and paintings of a latest master.
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Additional resources for Plotting and Writing Suspense Fiction
Some climaxes should be the last thing in a book, because after them, there is nothing to be said, and the book should end there, with a bang. -because young writers are much inclined to ramble. " If you have a rambling, atmospheric, purple prose idea in mind for that chapter, be very wary; you may be wise to discard it, if it cannot be made to carry a point or two. But if you feel that your idea for a chapter will advance the story, then you should list the points you want to make in that chapter.
Sometimes it is only one point: that a character is going blind and wants to conceal the fact; that a crucial letter has been stolen. Sometimes there are three points. And listing the points on a piece of scrap paper beside the typewriter will make sure that you are not going to neglect a point. Even now, after writing nearly twenty books, I sometimes write points down. I could have saved myself a good deal of work on my novel, Strangers on a Train, if I had done this from the start. There is no harm in doing this always, no matter how expert one becomes, as it gives one a solid feeling about the work ahead.
When "The Whip" series is bought for television, Alex would very much like to force Sydney out of the contract and reap all the gains himself, and he has some hope of doing this because of the suspicion that Sydney is under. Alex paints his erstwhile friend in the worst possible light to the police. " 4) Sydney loses his small notebook one day when he is buying a newspaper in his village. The shopkeeper 44 PLOITING AND WRITING SUSPENSE FICTION turns the notebook over to the police. In this notebook, Sydney is keeping his thoughts on how it feels to be a murderer, and his narration of his wife's "murder" reads like something in a diary.
Plotting and Writing Suspense Fiction by Patricia Highsmith