Download e-book for kindle: Murdoch's World: The Last of the Old Media Empires by David Folkenflik

By David Folkenflik

Rupert Murdoch is the main major media mogul the English-speaking global has ever recognized. not anyone earlier than him has trafficked in media impression throughout these international locations so successfully, nor has someone else so singularly redefined the tradition of reports and the foundations of journalism. In a stretch spanning six a long time, he equipped information Corp from a small paper in Adelaide, Australia right into a multimedia empire in a position to not easy nationwide broadcasters, rolling governments, and swatting apart advertisement competitors. Then, over years, a sequence of scandals threatened to solve his complete creation.

Murdoch’s defenders puzzled how a lot he can have identified in regards to the bribery and speak to hacking undertaken via his reporters in London. yet to a great measure, information Corp used to be an establishment forged within the photo of a unmarried guy. The company’s tradition used to be deeply rooted in an Australian buccaneering spirit, a brawling British populism, and an oversized American libertarian sensibility—at least whilst it desirable Murdoch’s interests.

David Folkenflik, the media correspondent for NPR information, explains how the guy at the back of Britain’s take-no-prisoners tabloids, who reinvigorated Roger Ailes via backing his imaginative and prescient for Fox information, who gave a brand new swagger to the New York Post and a brand new variety to the Wall highway Journal, survived the scandals—and the real fee of this survival. He summarily ended his marriage, alienated a lot of his family members, and break up his company asunder to guard the resource of his monstrous wealth (on the only side), and the resource of his identification (on the other). there have been moments whilst the worldwide information leader panicked. yet so long as Rupert Murdoch continues to be the individual on the best, Murdoch’s World could be making news.

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Kramer, Talese, and Trillin are in some ways the “elders” of the movement, writers who have spent their careers alternatively reporting on the extraordinary lives of ordinary people, and the ordinary lives of extraordinary people—Talese’s portraits of Frank Sinatra and Joe DiMaggio being the most famous example of the latter impulse. In an era when the clash of convictions has led to terrorism and war, Lawrence Wright’s writings on belief show why it is important for journalists to suspend their secular biases and examine religious ideas on their own merits.

Traditional journalism was simply not vivid enough to render the extraordinary changes in American life. Some have argued that the literary (or narrative) strand of American journalism was a reaction against the constraints of purely fact-based accounts. 25 Thus the hybrid of the fact-rich, narrative history became a popular American literary genre. “Faced with a new continent full of strange forms of life and potentially useful or threatening mysteries, Americans have always placed a premium on the accurate survey, the reliable report,” writes Preston.

38 Crane’s career has often been used by Wolfe, and others, as evidence that journalism has always been merely the “warm-up” for the novel. But this simply isn’t true in Crane’s case. Crane’s novels preceded his journalism on a subject. 39In this sense, it was fiction that was the warm-up for his extraordinary journalism, not the other way around. Crane’s favorite journalistic form was the closely observed sketch of city life. These sketches—of the poor, of immigrants, of ordinary citizens—drew readers with the unsentimental, artful way he captured his characters and their pedestrian struggles.

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Murdoch's World: The Last of the Old Media Empires by David Folkenflik


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