Download e-book for kindle: How to Cheat in Photoshop: The art of creating by Steve Caplin

By Steve Caplin

ISBN-10: 008095149X

ISBN-13: 9780080951492

ISBN-10: 0240519531

ISBN-13: 9780240519531

Much more Photoshop time saving information and tips are integrated during this new, accelerated version of Steve Caplin's bestseller. Updates comprise many new photos and strategies which help you utilize the ability of Photoshop! With this publication you could paintings from the matter to the answer with specialist suggestions from a certified illustrator. each one part is split into colour double web page spreads on illustrative innovations; giving chew measurement chunks with all it's worthwhile to recognize in a hugely visible, approachable structure. many of the unique Photoshop documents are supplied at the loose CD, besides enormous quantities of greenbacks' worthy of loose, pattern plugins and photographs, so that you can try each one approach for yourselves as you learn. * seventy eight pages of recent fabric make it easier to take your Photoshop montage talents even additional * CD contains the entire pictures from the booklet and a hundred new, unfastened, excessive answer AbleStock pictures* make the most of a qualified illustrator's timesaving suggestions and tips!

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Extra info for How to Cheat in Photoshop: The art of creating Photorealistic Montages, 2nd Revised Edition

Example text

The stylus could end up anywhere: at least a mouse can’t be more than a cord’s length away. My main problem with the stylus, though, was that although it seemed perfectly adequate for shading and painting, it was too clumsy for web browsing and general use. There’s also the problem that while a mouse moves the cursor in the direction you choose – and you can site a mouse anywhere on the mouse pad while you drag it around – the stylus and tablet have a one-toone relationship with the monitor: the top left corner of the tablet represents the top left corner of the screen.

Entering a figure of 1 pixel in the dialog removes the white by sampling the colors just inside the radius specified, and pushing those colors outwards to replace those already there. It gets rid of the white, but is a little clumsy: we tend to get hard blocks of unwanted color this way. There are times when deleting a pixel all the way round doesn’t work – if the elements on the layer are particularly fine, for example. In these cases, you need to take a more painstaking approach: lock the transparency of the layer using / and then, using a small soft-edged brush, paint around the edge of the layer, sampling the adjacent colors with the Eyedropper tool frequently as you go.

It performs a task almost identical to the Replace Color dialog, discussed earlier in this chapter, but it has one significant advantage: you can paint the new color directly onto the image, without having to go through a dialog first. In one way, it’s simply more satisfying to paint the new color straight on. But there are many other advantages to the new tool: where Replace Color would globally change one color for another, the brush allows us to mix our colors at will. In addition, we can control the area we color with more precision than we could with the dialog.

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How to Cheat in Photoshop: The art of creating Photorealistic Montages, 2nd Revised Edition by Steve Caplin

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