Bill Hurter's Group Portrait Photography Handbook, Second edition PDF

By Bill Hurter

ISBN-10: 1584281596

ISBN-13: 9781584281597

Any time you are trying to pose or extra humans in a photo and render them taking a look satisfied and cozy, you’ll comprehend why expert portrait photographers are so good paid. Photographing pictures of teams isn't really effortless. Many staff graphics are relations por-traits—records of happiness and togetherness. Taken each few years,the family members portrait presents loved thoughts of ways the family members regarded “back then”and a fond checklist of the children’s development. kinfolk teams taken in the house exhibit the typical heat of domestic and, in keeping with many, most likely carry the most important fiscal go back. outdoors kinfolk images are an in depth moment, with the studio portrait frequently rating final when it comes to reputation and revenues. while and why do humans have a relatives portrait made? grasp photographer Robert Love says, “In our quarter, the number-one cause that consumers name us to create a relatives portrait is as the whole kin is getting jointly for a special day. frequently the fogeys have a number of grown youngsters who don’t stay at domestic anymore. in most cases, this individual is married and has a relations, in addition. we now have a chance to create a third-generation souvenir. With those prolonged households, now we have photographed from 8 to thirty humans in a single image.”

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Extra resources for Group Portrait Photography Handbook, Second edition

Example text

This is true in that the image will appear improved simply by the increase in film size; however, focusing becomes much more critical with the larger format. Learn to use your lens’s depth-of-field scale. The viewfinder screen is often too dim when the lens is stopped down with the depth-of-field preview to accurately gauge overall image sharpness. Learn to read the scale quickly and practice measuring distances mentally. Better yet, learn the characteristics of your lenses. 6, f/8, and f/11. Critical focusing is required when working at the maximum aperture of a lens.

A group portrait is most definitely not a snapshot. It has a prearranged sense of design and arrangement of its elements, a uniformity of expression and, in many instances, a coordination of color and clothing. These aspects, of course, are in addition to controlled lighting, posing, and composition. So as you may be beginning to see, a fine group portrait is not an easy picture to produce. This chapter will provide an overview of some of the technical aspects of making good exposures for portraiture, and while they may not necessarily be aimed at group portraiture, these techniques are essential to good group portrait photography.

Technically speaking, these are imaginary lines run- The 3/4 View. This is when the far ear is hidden from the ning through shoulders (shoulder axis) and down the camera and more of one side of the face is visible. With ridge of the nose (head axis). Head-and-shoulder axes this pose, the far eye will appear smaller because it is far- should never be perpendicular to the line of the lens axis. ther away from the camera than the near eye. It is impor- With men, the head is more often turned the same tant when posing subjects in a 3/4 view to position them so direction as the shoulders, but not necessarily to the same that the smallest eye (people usually have one eye that is degree.

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Group Portrait Photography Handbook, Second edition by Bill Hurter


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