By Michael J. Tyrkus
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Extra info for Contemporary Theatre, Film and Television, Volume 28
Abroad with Two Yanks, 1944. /A Bell for Adano, 1945. Don Juan Quilligan, 1945. e Bag (also known as The F/fth Chair), 1945. The B/ue Dah//a, 1946. The Dar/c Corner, 1946. Sentimental ]ourney, 1946. Two Years Before the Mast, 1946. White Tie and Tails, 1946. I'll Be Yours, 1947. Blaze of Noon, 1947. Calcutta, 1947. The Web, 1947. Where There's Life, 1947. Variety Girl, 1947. The Babe Ruth Story, 1948. Race Street, RKO, 1948. The Time of Your Life, 1948. The Big Steal, RKO, 1949. A Connecticut Yankee in King Arthur's Court (also known as A Connecticut Yankee and A Yankee in King Arthur's Court), 1949.
Grace, Death of an Angel, Twentieth Century-Fox, 1985. Charlene Michaelson, The Boy Who Could Fly, Twentieth Century-Fox, 1986. Ruth Squires, Violets Are Blue, Columbia, 1986. A l i c e Kildee, The Stranger (also known as Cudzoziemka), Columbia, 1987. Holly Gennaro McClane, Die Hard, Twentieth Century-Fox, 1988. Pam Marshetta, The Prince of Pennsylvania, New Line Cinema, 1988. Kitty Oppenheimer, Fat Man and Little Boy (also known as Shadowmakers), Paramount, 1989. Holly Gennaro McClane, Die Hard 2: Die Harder, Twentieth Century-Fox, 1990.
Assistant director, It Should Happen to You, Columbia, 1954. Assistant director, A Star Is Born, 1954. Director, Sem/no/e Uprising, Columbia, 1955. Assistant director, Three for the Show, Columbia, 1955. Director, Blackjack Ketchum, Desperado, Columbia, 1956. Director, Toughest Cun in Tombstone, United Artists, 1958. Producer and director, Stagecoach to Dancers' Rock, Universal, 1962. Director, Gunpoint, Universal, 1965. Director, Fluffy, Universal, 1965. Director, MunsterCo Home, Universal, 1966.
Contemporary Theatre, Film and Television, Volume 28 by Michael J. Tyrkus