Download PDF by Stuart Allan: Citizen witnessing: revisioning journalism in times of

By Stuart Allan

ISBN-10: 0745651968

ISBN-13: 9780745651965

ISBN-10: 0745664431

ISBN-13: 9780745664439

What position can the standard citizen practice in information reporting? this query is going to the guts of present debates approximately citizen journalism, the most tough matters confronting the inside track media today.
In this well timed and provocative booklet, Stuart Allan introduces the major notion of ‘citizen witnessing’ with a purpose to reconsider commonly used assumptions underlying conventional differences among the ‘amateur’ and the ‘professional’ journalist. specific recognition is concentrated at the spontaneous activities of normal humans – caught-up in obstacle occasions transpiring round them – who consider forced to take part within the making of stories. In bearing witness to what they see, they have interaction in precise sorts of journalistic job, producing firsthand reportage – eyewitness money owed, video pictures, electronic images, tweets, weblog posts – often creating a very important contribution to information coverage.
Drawing on quite a lot of examples to demonstrate his argument, Allan considers citizen witnessing as a public provider, displaying the way it can assist to reinvigorate journalism’s duties inside democratic cultures. This publication is needed analyzing for all scholars of journalism, electronic media and society.

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Extra resources for Citizen witnessing: revisioning journalism in times of crisis

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My primary aim in the course of this book’s discussion is to discern a conceptual basis for formulating an alternative perspective, one intended to help to facilitate efforts to recast prevailing forms of social exclusion endemic to the ‘us’ and ‘them’ dichotomies that tend to permeate Western news media reporting concerned with crisis events. More specifically, this book will offer an evaluative appraisal of diverse attempts to think through the journalistic mediation of witnessing with a view to assessing, in turn, certain wider implications for research investigating ordinary citizens’ impromptu involvement and participation.

In terms of its inflection within a wider visual culture, Peter Burke (2001) describes the emergence of the eyewitness principle in painting from the ancient Greeks onwards: in effect the rule exhorting artists to ‘represent what – and only what – an eyewitness could have seen from a particular point at a particular moment’ (2001: 14; see also Azoulay, 2008; Gombrich, 1982). Paintings striving to achieve this stylistic commitment by looking as truthful as possible would often encourage the impression that the artist was concerned to provide accurate testimony, Burke suggests, yet their evidential status in this regard remained a matter of interpretation.

Images anesthetize’, she writes; ‘An event known through photographs certainly becomes more real than it would have been if one had never seen the photographs . . But after repeated exposure to images it also becomes less real’ (1977: 20). Revisiting this position some twenty-five years later, however, Sontag (2003) is not so certain. ’ (2003: 94). It is revealing that she suggests the question now turns on television news, with its capacity to drain images of their force by subjecting them to select usages, and incessantly, repetitiously so.

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Citizen witnessing: revisioning journalism in times of crisis by Stuart Allan

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