By Mickey Huff, Project Censored
Each year given that 1976, undertaking Censored, our nation's oldest news-monitoring group--a university-wide venture at Sonoma kingdom college based by way of Carl Jensen, directed for a few years via Peter Phillips, and now lower than the management of Mickey Huff--has produced a Top-25 record of underreported information tales and a booklet, Censored, devoted to the tales that should be most sensible good points at the nightly information, yet which are lacking due to media bias and self-censorship. Seven tales Press has been publishing this yearbook due to the fact that 1994, that includes the head tales indexed democratically so as of value in line with scholars, school, and a countrywide panel of judges. all the most sensible tales is gifted at size, along updates from the investigative journalists who broke the tales. past the Top-25 tales, extra chapters delve additional into well timed media themes: The Censored information and Media research part presents annual updates on Junk foodstuff information and information Abuse, Censored Déjà Vu, symptoms of desire within the replacement and information media, and the kingdom of media bias and replacement assurance all over the world. within the fact Emergency part, students and newshounds take a severe examine the US/NATO military-industrial-media empire. And within the undertaking Censored overseas part, the that means of media democracy around the world is explored in shut organization with undertaking Censored associates in universities and at media firms worldwide. A perennial favourite of booksellers, academics, and readers all over the place, Censored is among the most powerful existence symptoms of our present collective wish to get the inside track we electorate need--despite what tremendous Media tells us.
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Extra info for Censored 2012: The Top 25 Censored Stories of 2010-11
Within this visual economy of victimization, photographs of women with their young children articulate an ideal of universal maternal care. S. News from April 12 shows a group of refugees enclosed in a space that appears to be surrounded by a wooden fence (the caption explains that the wood frame is part of the back of a truck). In the center of the composition, a woman cries in anguish while holding a child in her arms. Sandwiched between her and another woman who holds a hand to her face is a young boy who stares soberly at the camera.
In Europe, weeklies such as the Berliner Illustrirte Zeitung experimented with layout and incorporated photographs into series to tell a visual story, the precursor to the photo- essay (Kozol 1994, 29). Photojournalism gained further credibility with coverage of the Spanish Civil War when European and American newspapers and magazines publicized this conflict through photographs of the bombings of villages, civilian casualties, and fleeing refugees, including mothers and children (Brothers 1997).
Popular culture likewise contrasted Serbian mothers with Albanian women who were described “as baby makers, calling their offspring ‘biological bombs’” (Mertus 1998, 178). Nationalist rhetorics also invoked dangers to the family as justification for violence against ethnic groups. Andjelka Milic (1993), for instance, describes a photograph that was popular in Serbia in the early 1990s. The picture shows a woman holding a child in one arm and a gun in the other as she patrols an empty village road.
Censored 2012: The Top 25 Censored Stories of 2010-11 by Mickey Huff, Project Censored