Mireia Aragay, Hildegard Klein, Enric Monforte, Pilar Zozaya's British Theatre of the 1990s: Interviews with Directors, PDF

By Mireia Aragay, Hildegard Klein, Enric Monforte, Pilar Zozaya (eds.)

ISBN-10: 0230210732

ISBN-13: 9780230210738

ISBN-10: 1349281891

ISBN-13: 9781349281893

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Additional info for British Theatre of the 1990s: Interviews with Directors, Playwrights, Critics and Academics

Sample text

Browne, Playwrights’ Theatre: The English Stage Company at the Royal Court Theatre (London: Pitman, 1975); R. ), At the Royal Court: 25 Years of the English Stage Company (New York: Grove Press, 1981); P. Roberts, The Royal Court Theatre 1965– 1972 (London and New York: Routledge & Kegan Paul, 1986) and The Royal Court Theatre and the Modern Stage (Cambridge: Cambridge University Press, 1999), and I. Wardle, The Theatres of George Devine (London: Jonathan Cape, 1978). 2. Marcos Barbosa is a Brazilian playwright.

I’d rather do that than I would a play with two distinguished actresses in Sydney. What are your plans for the near future? I have no future, only a present and a past. You hope you learn something and that you may get better. When you start as a young director, you clearly are ignorant. You learn from people who are older than you. But the difficulty, as you get older, is that you have to start learning from people younger than yourself. In a way, as a director of new work, you stand more chance of exposing yourself to the work of young people than you do if you stick to the classics.

22 But if you are an oppositional theatre, to raise money is very complicated. 23 That was very hard for me just arriving, but I think we dealt with that very well. In addition, I directed 13 productions of The Weir. I just kept directing it to keep the theatre open. The money we made on The Weir, which began as a tiny little play in a 60-seat venue and ended up playing to a thousand seats on Broadway, kept the Court going until we moved back to Sloane Square, a year and a half late. Of course, having the joy of reopening the theatre, such a beautiful theatre, was a fantastic privilege.

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British Theatre of the 1990s: Interviews with Directors, Playwrights, Critics and Academics by Mireia Aragay, Hildegard Klein, Enric Monforte, Pilar Zozaya (eds.)


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