By Nelson O'Ceallaigh Ritschel
This booklet explores Bernard Shaw’s journalism from the mid-1880s in the course of the nice War—a interval during which Shaw contributed one of the most robust and socially suitable journalism the western international has skilled. In forthcoming Shaw’s journalism, the promoter and abuser of the hot Journalism, W. T. Stead, is contrasted to Shaw, as Shaw countered the sensational information replica Stead and his disciples generated. to appreciate Shaw’s model of latest Journalism, his responses to the preferred press’ portrayals of excessive profile historic crises are tested, whereas different examples prompting Shaw’s journalism over the interval are pointed out for intensity: the 1888 Whitechapel murders, the 1890-91 O’Shea divorce scandal that fell Charles Stewart Parnell, peace crusades inside militarism, the catastrophic Titanic sinking, and the nice conflict. via Shaw’s journalism that undermined the preferred press’ surprise efforts that avoided rational proposal, Shaw endeavored to advertise transparent pondering throughout the immediacy of his serious journalism. Arguably, Shaw kept the loose press.
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Extra info for Bernard Shaw, W. T. Stead, and the New Journalism: Whitechapel, Parnell, Titanic, and the Great War
Here the hope of heaven makes the people content to bear their deep poverty. . I hope to learn much from this greatly interesting correspondence upon Christianity in the Star newspaper. (Letters, I, 198–199) While both letters underlined the futility of the Christianity debate in The Star’s letters page at the time of the murders, neither seriously nor purposefully addressed the grotesque reactions of the comfortably well-off classes to the growing knowledge of Whitechapel poverty. T. P. O’Connor published neither letter.
The newspaper coverage of the Whitechapel murders, and Shaw’s continued monitoring of such, further worked its way into Widowers’ Houses and helped to prepare some Londoners for Shaw’s ﬁrst play. The exceedingly large press coverage of the coroner’s inquest, brief as it was, on Mary Kelly’s murder included the testimony of Thomas Bowyer. Bowyer had discovered Mary’s body. He was the rent collector who worked for Kelly’s landlord, John McCarthy—just as Shaw’s character Lickcheese was the rent collector for the slums Sartorius managed with well-to-do investors like Trent.
But much of this concern was with the fear “that this squalor could spill over the rest of the population and threaten them with disease” and more (Carroll, 154–155). Such sentiment seemingly was behind the conservative press in 1887 when they called on the government and the new Metropolitan Police Commissioner Warren to “teach the mob a lesson” for gathering outside East London in Trafalgar Square. However, in 1883, a Rev. Andres Means authored and published a pamphlet titled The Bitter Cry of Outcast London, which carefully tried to document the poor’s horrid living conditions with the aim that something needed to be done for the poor, not to protect the comfortable classes—the pamphlet’s arguments had been publicized by The Pall Mall Gazette in 1883 (Schults, 49–50).
Bernard Shaw, W. T. Stead, and the New Journalism: Whitechapel, Parnell, Titanic, and the Great War by Nelson O'Ceallaigh Ritschel