By Rob Thurman
Stefan Korsak and his genetically-altered brother have avoided the Institute for 3 years. after they research the hot situation of the key lab, they plan to wreck in and shop the rest little ones there. yet one of many youngsters doesn't are looking to go away. She desires to kill...
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Additional info for Basilisk
The quality of the art I’ve been producing has massively increased since I’ve been here,” enthuses Lee. “When you’re just starting out, it’s easy to miss the kind of things you’re doing wrong. You don’t really know how bad you are. ” TOOLS OF THE TRADE In the studio, the team all work on Macs, as well as using Cintiqs for sketching. “Recently, we’ve also picked up a couple of iPad Pros, too, and used them with Once you exceed five people, all of a sudden you’re no longer working as an artist, you’re managing people 56 July 2016 More pitch work for a project that’s currently under wraps.
Children’s publishing can be like that, in my experience. While many 12-year-olds and above may not be easily shocked, younger minds aren’t usually ready for images such as slavering, fanged terrors. Most publishing houses I’ve worked with impose guidelines to protect children from such things. Presentation and approach are key. Look at the characters from multi-million blockbusters such as Monsters Inc. Their cartoon styling and humour transforms them to child-friendly fare – despite the presence of fangs, claws, tentacles or anything else.
Armed with a description from the art director and the Innistrad style guide, it was up to Magic’s team of artists to bring the plane’s horde of nightmares to life. Despite each illustration having to achieve specific storytelling goals, there was always room for creative interpretation. “It’s the illustrator’s job to expand on the prompt, to find new, exciting ways to portray the scene without contradicting the art description,” says Ryan Pancoast, the artist behind several cards in the new series.
Basilisk by Rob Thurman