By Virginia Beane Rutter, Thomas Singer
Between old Greece and smooth psyche lies a divide of not just 3 thousand years, yet cultures which are worlds aside in artwork, expertise, economics and the accelerating flood of historic occasions. This designated selection of essays from a global collection of individuals bargains compelling proof for the traditional connection and relevance of historic fantasy to modern psyche, and emerges from the second one 'Ancient Greece, glossy Psyche' convention held in Santorini, Greece, in 2012.
This quantity is a robust homecoming for these looking a residing connection among the psyche of the ancients and our sleek psyche. This booklet seems to be at everlasting issues comparable to love, attractiveness, dying, suicide, desires, historical Greek myths, the Homeric heroes and the tales of Demeter, Persephone, Apollo and Hermes as they hook up with issues of the trendy psyche. The members suggest that that the hyperlink among them lies within the underlying archetypal styles of human behaviour, emotion, snapshot, idea, and memory.
Ancient Greece, smooth Psyche: Archetypes Evolving makes transparent that a vital a part of interpreting our dilemmas is living in a familiarity with Western civilization's oldest tales approximately our origins, our pain, and the which means or meaninglessness in existence. it will likely be of serious curiosity to Jungian psychotherapists, teachers and scholars in addition to students of classics and mythology.
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Additional info for Ancient Greece, Modern Psyche: Archetypes Evolving
Crow’s mother calls him, she gives him a knife, a stone knife, white as crystal; here she says, I am sick of this, do something; crow watches his father, crow watches a snake, he takes the knife, his eye is sharp; his father comes down like a pile of mud. Crow cries out; the old man’s coming again, he rears up, he slides, rolling and coiling the father slops on the mother’s belly; he rises, a snake hard to strike; the mother cries; the old man’s coming again, do it, she says, do it now. Crow is fast, fast as an eye, he comes between them, he cuts the snake, he slices the father, the world is covered in blood, his mother heaves like a river in flood; good she says, enough of him, now we can start again.
S. ” In his hauntingly beautiful film, Penelopa, Ben Ferris, a young Australian filmmaker, borrows elements of the Bosnian war, draws out the feeling of the archetype of “waiting,” and then transforms Homer’s version of Odysseus’ homecoming with a surprise ending. ” Both Penelope and Odysseus emerge as modern characters who are not entirely in keeping with their traditional identities or the original story’s conventional, narrative trajectory. The homecoming that Virginia Beane Rutter narrates in “The hero who would not die: warrior and goddess in ancient Greek and modern men,” is the deeply moving, personal story of her father’s homecoming from World War II, a hero’s return that echoes in the stories of many veterans who have returned from Korea, Vietnam, Iraq, and Afghanistan.
R. F. C. Hull, Princeton, Princeton University Press, 1967, para. 24. Hereafter references to Jung’s Collected Works will be indicated by CW followed by volume number. , Oxford, Oxford University Press, 1940, pp. 1150–1. 5 Jung, Symbols of Transformation, CW 5, para. 24. 6 Jung, “The Tavistock Lectures,” The Symbolic Life, CW 18, 1935/1976, para. 231. , para. 232. 8 Jung, Symbols of Transformation, CW 5, para. 344. 9 Jung, “Symbols and the interpretation of dreams,” The Symbolic Life, CW 18, 1961/1976, para 585.
Ancient Greece, Modern Psyche: Archetypes Evolving by Virginia Beane Rutter, Thomas Singer